This time, we walk in darkest alleys, a perfect geometry of streets that feel the pain, which repress the pungent smell that takes you to the heart but, this time, do not inspire disgust, but a shiver of malice. alleys more Ann D 'in the end.
But Ann D 'is mainly a traveling, a good approach to it, we can trace a few dates.
1978-1981, training at the Royal Academy of Fine Arts in Antwerp.
1982, wins the Golden Duckling, rewarding the most promising young artists of the year. A glowing foreword to the future icon.
first collection in 1987, success, and first show in Paris in 1992. His work is received with great interest.
1992, a pivotal year. Early White Shirt (for Mallarmé) " in collaboration with Rodney Graham. Followed by "Stars do not stand still in the sky" Tribute to Mallarme . For me, his work at the symbolic most important (if only for the love poetry of Mallarme ...). Based on the prose poem "The Demon of Analogy" is a whole new approach they wish to describe the disorder what Mallarmé. Everything depends on the accuracy of detail, looking for poetry by the tissue, a certain communion nostalgic with matter. 21 shirts were produced, numbered and signed by the name of Mallarmé's poem.
The Demon of Analogy.
Words unknown they sang on your lips, flaps cursed a ridiculous sentence?
I left my apartment with the sensation of sliding down a wing of the strings of an instrument, trolling and light, that replaced a voice pronouncing the words on a falling tone: "The Penultimate is dead", so that
The Penultimate
verse and ends
Is Dead
detached itself from the most fateful suspension needlessly empty of meaning. I made steps in the street and recognized the sound void of the taut string musical instrument was forgotten and the glorious remembrance certainly came to visit her wing or a palm and finger on the artifice of mystery, I smile and greeting implored different intellectual speculation. The sentence came, virtual, generated from a fall earlier pen or twig, from now through the voice heard, until at last it revolved only living personality. I was going to (do more than simply my perception) the reading at the end of verse, and once as a test, adapting it to my talk, and soon the silence after pronouncing a "Penultimate" in which the thought painful pleasure "The Penultimate" then the string of the instrument, so tense in oblivion on the draw, probably broke and I added by way of prayer: "Is dead. "I never ceased to attempt a return to thoughts of choice, claiming to calm me down, that certainly is the penultimate word in the lexicon which means the penultimate syllable of the words, and his appearance, remains poorly abjured a labor of language by which daily sobs interrupted my noble poetic faculty the same tone and air of falsehood hastily assumed by the easy assertion were a cause of torment. Harassed, I resolved let the sad nature of words themselves wandering on my mouth, and went muttering intonation capable of condolence: "The Penultimate died, is dead, really dead, the desperate Penultimate", thinking thereby satisfy the concern, not without secretly hoping to bury in the amplification of the chant when, horror! - A magic easily deductible and nervous - I felt that I had my hand reflected by a shop window there making the gesture of a caress that descends on something, the voice (the first, which was undoubtedly the sole). But which installed
the undeniable supernatural intervention, and the beginning of anguish in which dying lord my mind lately is when I saw, looking in the antique street instinctively followed, I was at the shop of a luthier seller of old instruments hanging on the wall, and, earth, yellow fins and wings hidden in the shadows of ancient birds. I fled, bizarre, convicted person likely to wear mourning for the inexplicable Penultimate.
1996, the Belgian government granted him the price of the crop.
From 1994 to 2004, she worked many projects ranging from furniture to jewelry. It develops more numerous exhibitions at The Metropolitan Museum of Art in New York and then at the Carrousel du Louvre and the Museum of Fashion and Textiles in Paris (and many others!).
2005, presentation of this first collection for men. Same approach, same success.
In 2006, she was guest of honor of the festival Hyeres, beautifully appointed for the occasion "17xAnn of yesterday Hyères" .
2008, second job that deserves special attention, the development of his amazing "White Collection" . A simple look back and creative surprises us Again, as at the time.
A White label
crossing Time
clothes ...
They Were oz Demeulemeester collection was
Those parts ... We Still
like to wear
To Have To Have
again
Still Traitement
Selected from The Archives 20 Years of Ann Demeulemeester.
Here is Ann Demeulemeester.
His whole job is all a colossal work which deserves, if it is to be studied, it would be scratched.
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