The success of the New Wave due to a combination of economic, political and aesthetic very different: the disintegration of the Fourth Republic and the advent of a new type of society: release mores and the decline of censorship system "ahead of the recipe soon granted by the Centre National du Cinema films' opening new perspectives in cinema art" concerted action of several dynamic producers (Pierre Braunberger, George Beauregard, Anatole Dauman) anxious to escape the restrictive laws market; extension circuits "arthouse" emergence of a new generation of actors, more relaxed, less marked by the theatrical routine (Brigitte Bardot, Jean-Paul Belmondo, Bernadette Lafont), in short, rejuvenation frames at all levels.
Finally, we must observe that New Wave was part resolutely against a false tradition considered routine and bad French movies, that of Jean Delannoy, the Christian-Jaque, the Gilles Grangier, screenwriters as the team Aurenche and Bost.
She recognizes, However, in Jean Renoir, Robert Bresson and Jacques Tati.
From 1963, a reflux began and tenor of the New Wave blend. Some are moving toward classicism (Truffaut, Rohmer), others are dealing with the hated system (Chabrol), others are turning to activism (Godard) or experimental cinema, others continue their lonely road ( Malle, Franju, Resnais). After 1968, there will arise a new "New Wave", is highly politicized, or otherwise escaping in the entertainment and "natural": it goes to André Téchiné Jean Eustache, Maurice Bertrand Tavernier Pialat, Pascal Thomas Jacques Doillon. But economic conditions have changed and the 70s are not conducive to the emergence of young talent ...
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